The picture of our school headmaster, Brendan Wignall |
About Blade Runner, the headmaster also says that the original one(which is the first one) was too dark and too European, which was the answer of the audiences in America which were the tested audiences for this film. And if he can make some change in the new Blade Runner, he says he will make less sexiness, since in Blade Runner, even in Blade Runner 2049, there are so many scenes which contain sexiness. Also, when one of the students in the class asked him about who did he think is the femme fatale in Blade Runner 2049, he said that it is hard as there is no a really definite answer. Since Blade Runner is just contained the elements of film noir but not all of them. It can just contain two or three elements, therefore, in my own film(which I have to make it relevant to film noir), I can just get three or more elements from film noir, but not that all. Well, in this question, the headmaster view is that we can just find the character which has more elements of femme fatale, for example, sexy and dangerous, than the others, that could be the femme fatale of this film.
At the last, the headmaster also talked about our coursework, which is that we have to create 2 minutes opening of a film which is relevant to the film noir. Our teacher asked him about what story or the topic should we use for our film in nowadays, and his answer is that we can make a film in far Eastern, such as Japan, China(Shanghai, etc), he didn't really recommend the British film noir as he thinks it is not quite suitable. He also gives a suggestion about how to make an opening of a film. He recommends us first to sketch out the whole story of the film, and then go back to the beginning since it can be easier if we do like this. I think this is a good suggestion which I may use it when I am doing my coursework.
And finally, I took a picture with him for a memory. Here is the picture:
The picture of me and the headmaster |
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